In 1983, he was appointed editor of Sound Canada magazine, which he relaunched in 1985 as Sound & Vision, incorporating video content and reviews as well as hi-fi and audio features.
He also wrote on consumer electronics for Maclean's magazine and made occasional appearances on TV on "Canada AM," the national CTV morning show, and on June Callwood's national afternoon TV talk show. In the late 1970s, he became a contributing editor, columnist, and equipment reviewer at AudioScene Canada, the leading national consumer electronics magazine at the time. Lofft has been writing about hi-fi and video professionally for over 20 years, ever since his first syndicated newspaper column, "Sound Advice", began appearing weekly in The Toronto Star, Canada's largest-circulation daily newspaper. He edited Sound & Vision (Canada) until 1996, when he moved from Toronto to New York to become Senior Editor at Audio magazine. In any case, start with dolby digital 5.1 surround to see how it works in your room, and then start adding channels until it delivers the immersive effect you are going for.Īlan Lofft was, for 13 years, Editor in Chief of Sound & Vision, Canada's largest and most respected audio/video magazine. However, many Axiom system owners report excellent results using QS8 or multidirectional surrounds at the sides and two direct-radiating M2's at the rear. Using identical surrounds at the sides and rear guarantees the same tonal balance and dispersion traits from all four surround speakers. In a general way, it's best to use rear speakers that are identical to the surrounds at the sides, although there is some controversy about this. If I do add the extra two speakers at the rear for a 7.1-channel system, should I use direct-radiating speakers like the M2 or M3 or the quad polar QS8s or QS4s?Ī. Certainly there is no downside to utilizing the extra surround capability if the A/V receiver offers it. Coverage of surround effects in larger rooms will definitely benefit from the extra surrounds at the rear, and using multipolar surrounds like the QS8 or QS4s will enhance these effects. There is no question that 6.1-channel or 7.1 setups improve the sense of surround envelopment and also make for smoother and more convincing directional panning effects for side- and rear-mixed sounds, although the room will also influence the degree of improvement.
Some more recent movie releases make use of the "6.1" capability, and more recent A/V receiver processors will extract extra information to feed a pair of extra rear speakers on the back wall even if the movie is just mixed for 5.1 channels. The vast majority of movies are mixed for 5.1 channelsleft, center, and right front channels with two side surround channels.
How much better is 6.1 or 7.1 channels than a standard Dolby Digital 5.1-channel setup? Am I losing something by not adding the additional one or two back speakers?Ī.